man and woman floating in the air flanking the oddly-twisted steeple of a churchLargely a sequel to The Onion Girl, but this one doesn’t start with Jilly Coppercorn. Instead, the entry to the story is when fiddler Lizzie Mahone, her car broken down at a lonely crossroads, disrupts a bit of rogue unseelie business making friends and enemies in the process. When the second fiddle player in Lizzie’s band is injured, the band calls Geordie Riddell to fill in and Jilly comes along for the ride. Mayhem ensues when Jilly and Lizzie both disappear in the night and the folks left behind have to try to find them and bring them back.

Widdershins is shaped very much like other de Lint books with a quick jump into a mystically complicated plot followed by a layered array of different groups working their way out of the mess from different directions. It’s an effective pattern allowing lots of character development and suspense as the groups all have to work with the information and personalities they have and as you read you can see where they’re headed for potential disaster or can wonder how the heck they’re going to connect in the end.

The book is a little bit more of a soap opera plot than usual with the eternally evaded romantic tension between Jilly and Geordie seeming like maybe it will finally be resolved, but it’s not at all clear in the course of the book which way it might go.