Mad Times

Murder mystery set in an English country house. Alternates chapters with the points of view of a Scotland Yard inspector and the newlywed wife of a prime suspect. What sets it apart from other “cosy” mysteries is that it takes place in an England that chose to sign a treaty with Hitler. Matters are complicated by the fact that the victim negotiated the treaty and the manner of his death throws suspicion on the only Jew who happens to be around.

My clumsy summary does not do justice to Walton’s delicate and nuanced narrative. This is a carefully written and deeply thought book that reads like a potboiler. And while it’s easy to dismiss any comparison of current events with those of WWII as hyperbolic, it’s difficult to deny that there is some resonance. Enough that even though I read the book very quickly the characters and situations have stayed knocking around my head even here over a month after I finished it.

Her second book in this setting just came out (Ha’penny) and there will be one more forthcoming.

Largely a sequel to The Onion Girl, but this one doesn’t start with Jilly Coppercorn. Instead, the entry to the story is when fiddler Lizzie Mahone, her car broken down at a lonely crossroads, disrupts a bit of rogue unseelie business making friends and enemies in the process. When the second fiddle player in Lizzie’s band is injured, the band calls Geordie Riddell to fill in and Jilly comes along for the ride. Mayhem ensues when Jilly and Lizzie both disappear in the night and the folks left behind have to try to find them and bring them back.

Widdershins is shaped very much like other de Lint books with a quick jump into a mystically complicated plot followed by a layered array of different groups working their way out of the mess from different directions. It’s an effective pattern allowing lots of character development and suspense as the groups all have to work with the information and personalities they have and as you read you can see where they’re headed for potential disaster or can wonder how the heck they’re going to connect in the end.

The book is a little bit more of a soap opera plot than usual with the eternally evaded romantic tension between Jilly and Geordie seeming like maybe it will finally be resolved, but it’s not at all clear in the course of the book which way it might go.

In 2002, Mitch Kapor founded a new company to build a personal information management software product called Chandler. Rosenberg’s book uses Kapor’s company as an entryway into the big questions about software: why does it take so long? why is it so hard to make it good?

The book is one part history of software engineering and one part case study with a sprinkling of speculation about what the future holds. The case study turns out to be an excellent example because Chandler’s genesis falls somewhere on the less-auspicious end of typical. By the end of the book (published in 2007), Kapor’s team still hadn’t shipped a usable product, but they were still plugging away. At the beginning of October, a month after I finished reading the book, the team announced a “Preview” release that still isn’t a 1.0.

Rosenberg does a nice job on the history, talking about all aspects of development from architecture to UI design to people management. What comes out is that the advancements in the software art just don’t progress at the rate we might wish. While improvements in computer hardware design have allowed finished software to run ever more quickly, the creation of the software itself is still a laborious manual process. And there’s nothing on the horizon that looks likely to change that fact.

Attack of the Bacon Robots and Epic Legends of the Magic Sword Kings are the subtitles of these first two collections of the uber gaming geek web comic Penny Arcade. Each comic is accompanied by a bit of explanatory text to help make sense of the inspiration for that strip. This is an extremely useful feature! I frequently can’t make head or tails of the strips when they first appear. I’m not sufficiently steeped in gaming culture to get their references. Sometimes I’ll catch up with the references a day or a week later and the light will go on “oh, so that’s what that was all about.” I keep reading them because when I can make sense of the joke it’s usually very funny indeed.

Picked this up for a reread after seeing the recent film version. This is one of Gaiman’s stream of consciousness books. It reads like he started in to writing one day with a vague idea of where the story would end up and inserted amusing or surprising events until the book was thick enough. Of course Gaiman is a good enough wordsmith to make the resulting book pleasant to read in spite of the potential for calamity in such an approach. Not a masterpiece, but an amusing diversion.

Not much of a picture, but I was lucky to catch her at all. Alice has a very finely developed sense of propriety and while in her mind it’s okay for her to do the silliest things, it is decidedly not okay for anyone to see her doing them. I got my camera out and got two shots off and the second is nothing but a blur jumping out of a wagon. Pumped the exposure up four whole stops and dramatically cropped in Lightroom, so that’s why it looks like it was painted by Monet before he had his cataract surgery. Do I get points for using the word “cataract” in a Friday cat blogging post?

That’s our friend’s cat, Narnia. He cannot get enough petting.